food for thought / Richard Diebenkorn

“… putting down what I felt in terms of some overall image at the moment today, and perhaps being terribly disappointed with it tomorrow… trying to make it better and then despairing and destroying partially or wholly… getting back into it and just kind of frantically trying to pull something into this rectangle that made sense to me…”

(Richard Diebenkorn. 1922-1993. American)

Richard_Diebenkorn

Cityscape_I_360

 

Richard_Diebenkorn's_painting_'Ocean_Park_No.129'

 

Richard_Diebenkorn's_painting_'Ocean_Park_No._67'

 

Credits: All images thanks to Wikipedia.

Photo of Diebenkorn, 1986.

Cityscape 1. 1963. oil on canvas. 60×50″.

Ocean Park No.129. oil on canvas. 1984.

Ocean Park No.67. oil on canvas. 1973. 100×80″.

food for thought / francis bacon

“In my case all painting… is an accident. I foresee it and yet I hardly ever carry it out as I foresee it. It transforms itself by the actual paint. I don’t in fact know very often what the paint will do, and it does many things which are very much better than I could make it do”. (Francis Bacon. 1909 – 1992) Francis_Bacon_(artist)

Study_after_Velazquez's_Portrait_of_Pope_Innocent_XStudy_for_the_Head_of_George_Dyer

Three_Studies_for_the_Portrait_of_Henrietta_Moraes

Photo portrait of Francis Bacon. Photographed in late 1980s. credit Wikipedia.com.

Study after Velazquez’s Portrait of Pope Innocent X. Francis Bacon. 1953. Oil on canvas. 60×46″ (152×117 cm).

Study for the head of George Dyer. Francis Bacon. 1967. Oil on canvas. 14×12″ (35.5×30.5 cm).

Three Studies for the Portrait of Henrietta Moraes. Francis Bacon. 1963. Oil on canvas. Triptych.

Sagacious Serendipity – Red

 

Redimg380

A working studio becomes layered with a deep and wondrous treasure trove of raw material. When I become a camera the possibilities of framing chance encounters with surreal and inspiring compositions are limitless. This series shares my captures of random juxtapositions that caught my eye. Some I may use as source ideas for painting, but all are complete in themselves as examples of sagacious serendipity.

The scraps of writing and doodles are taken from my version of a sketchbook which consists of bits of paper I scribble on as I moodle around the studio.

Click on images for more detail.

Sagacious Serendipity – shed skins

shed skinsshedskinsA working studio becomes layered with a deep and wondrous treasure trove of raw material. When I become a camera the possibilities of framing chance encounters with surreal and inspiring compositions are limitless. This series shares my captures of random juxtapositions that caught my eye. Some I may use as source ideas for painting, but all are complete in themselves as examples of sagacious serendipity.

The scraps of writing and doodles are taken from my version of a sketchbook which consists of bits of paper I scribble on as I moodle around the studio.

Click on images for more detail.

Sagacious Serendipity – hope

hopehopeA working studio becomes layered with a deep and wondrous treasure trove of raw material. When I become a camera the possibilities of framing chance encounters with surreal and inspiring compositions are limitless. This series shares my captures of random juxtapositions that caught my eye. Some I may use as source ideas for painting, but all are complete in themselves as examples of sagacious serendipity.

The writing and sketches are taken from my sketchbook.

Click on images for more detail.

Sagacious Serendipity – folded message

 

folded messagefolded

 

A working studio becomes layered with a deep and wondrous treasure trove of raw material. When I become a camera the possibilities of framing chance encounters with surreal and inspiring compositions are limitless. This series shares my captures of random juxtapositions that caught my eye. Some I may use as source ideas for painting, but all are complete in themselves as examples of sagacious serendipity.

The scraps of writing and doodles are taken from my version of a sketchbook which consists of bits of paper I scribble on as I moodle around the studio.

Sagacious Serendipity – VERN

DSC08286

vernA working studio becomes layered with a deep and wondrous treasure trove of raw material. When I become a camera the possibilities of framing chance encounters with surreal and inspiring compositions are limitless. This series shares my captures of random juxtapositions that caught my eye. Some I may use as source ideas for painting, but all are complete in themselves as examples of sagacious serendipity.

The scraps of writing and doodles are taken from my version of a sketchbook which consists of bits of paper I scribble on as I moodle around the studio.