Invitation to Play 4

invitation to play

From your suggestions and ideas I have worked to strengthen and bring out the forms in the painting.

Invitation 4

The process to date:

Ina suggested drawing in black and I have done this in a few places, to emphasize details and introduce some new elements.

I followed Robert’s idea to create more structure using Burnt Sienna and or Raw Umber. I applied both on the circular form and the emerging form on the right. He also suggested I consider evoking a portrait and or figure. I painted with this in mind and I think you can see the results…not realistic but rather a loose, ambiguous hint.

Steven’s central black rod…a simple application with interesting results.

Carl’s ‘ochre gold’ for top right corner, to reflect same on bottom and left side of arc is done, although this colour on the arc has now been covered.

Babajij’s Purple micro dot has been placed but it is difficult to see on screen. It is in the eye of the bird-like figure.

This stage of the process was clearly about establishing and defining form and I believe this has happened, however strange those forms may be. I made many intuitive changes to help in this process: Lightening Ina’s reds and pulling them around the composition – Seeing and bringing out faces in the bird-like figure – Playing with the undefined possibilities on the right by layering, adding linear elements and shaping with Red until this somewhat puzzling figure emerged – Toning and increasing intensity of all colours.

I made a couple of very small changes to the central mystery but its secret remains unrevealed.

I think we are now one or two posts away from completion. Fine tuning is needed next.

I welcome your comments on what we have created together so far and also ask  for your suggestions and ideas for fine tuning any section of this work.

Thank you as always for your participation…the game continues…

For the concept behind this challenge please see ‘Invitation to Play 1’.

The ‘Invitation to Play‘ painting is a found image photographed in a local park in East Vancouver. I don’t know the artist but will credit you if you contact me. I thank you for inspiring the title for this post.

Invitation to Play 3

invitation to play

Still far from resolution and quite rough but here it is as it stands right now.

invitation 3

The process to date:

Steven suggested adding white but gave no details, so I applied it with a palette knife, to top left, top right and around the circular form.

Jana suggested a mix of Burnt Sienna with Ultra Marine Blue applied in the top left quadrant with a palette knife. I obviously used more blue than sienna. The resulting triangular form felt too isolated so I continued it around the circle. I then began building onto the right hand whites using some blues along with touches of colours already used. I ragged in more yellow and strengthened some of the reds. I layered all of this a number of times, putting on and taking off with a palette knife and sometimes wet rags.

The central area remains a mystery to be solved and has also lost some of its previous dominance.

The painting has gained a little more composition and form and we are now at Stage 3:

Once again I ask you for your suggestions, especially for the emerging forms, but also for colour, application techniques and general direction.

Thank you as always for your participation…the game continues…

For the concept behind this challenge please see ‘Invitation to Play 1’.

The ‘Invitation to Play‘ painting is a found image photographed in a local park in East Vancouver. I don’t know the artist but will credit you if you contact me. I thank you for inspiring the title for this post.

Invitation to Play 2.2

invitation to play

Layers 3 and 4 of the four colour requests submitted for Stage 1.

First up is Ina’s layer 3 Red applied with a wide wet brush:

Ina's Red

As always I grow attached to each layer and want to keep it, or at least leave much of it revealed as I apply the next layer. I admit I was carried away with Ina’s red and regret not leaving more of layer 2 showing through. I tried to recover it by scrubbing with water but had left it too late, acrylics dry fast. But no matter, each successive layer is made richer by what went before.

Second is Robert’s layer 4 Cad Lemon Yellow, rubbed in with a rag and scraped with a palette knife.

Rob's Yellow

When I applied Robert’s yellow I found myself entering the next phase of the painting, Stage 2, beginning to introduce composition and form. I didn’t mean to engage in this so early but it just wanted to be there. I don’t usually like to center the focus of the work, preferring to place it to one side or the other for a stronger composition; however, wanting to preserve the top center turquoise area led to this somewhat symmetrical arrangement.

So something is emerging although still rough and as yet, unresolved. Which leads us to Stage 2.

Stage 2 from you: As communal participants I ask that you now look at what’s happened to date. I welcome your comments but also am soliciting your suggestions, without which this process will grind to a halt. I need you to suggest how I might proceed from here. I understand this is not as easy as Stage 1.

Ask yourself...what do I see and how can my vision be made more tangible?

Ask yourself...which colours and forms might be made more important and which less important?

Ask yourself…should more colours or black or white be added and where?

As before I will act on the first 3 or 4 suggestions received. Thank you very much for your support, thoughts and ideas.

For the concept behind this challenge please see ‘Invitation to Play 1’.

The ‘Invitation to Play‘ painting is a found image photographed in a local park in East Vancouver. I don’t know the artist but will credit you if you contact me. I thank you for inspiring the title for this post.